It's not until we arrive at the Ron Isley featured "Project Windows" that we see Nas in his usual form with a vivid verse. He shows flashes of brilliance at times, with some shots thrown at Memphis Bleek and Jay on the title track, but the first few tracks on the album aren't executed that well. Perhaps it was a sign of the times as the generic production puts a damper on his lyrical composite just a bit, which is admittedly lesser than we've ever seen from him. While in his career he's made some peculiar productions choices, I think he just was too unfocused with picking tracks for this album and it showed. Lyrically his pictures are painted precisely and his imagery is second to none. The Good (by is my all time favorite rapper. Was this Nas album really that bad? Let's examine. Now, as you saw with our Kingdom Come joint, this will be split into three sections: The Good (covered by True), The Bad (covered by Speed), and a final verdict reached. In yet another joint WIRTB edition, we talk about the least critically acclaimed Nas album "Nastradamus".
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